In the nascent days of the internet, pages like Stinke’s tHa thReshHold were the only places where internet-savvy hip-hop fans could find online info about their favorite rap acts.
Tag: stinke
“We’re a link between the fans and the bands.” How Webmasters, including Hieroglyphics’ Stinke, served as a crucial connection and replaced faceless record label marketing strategies.
Watch Casual’s perspective on Hieroglyphics’ innovative move to take their music online in 1995.
As Hiero’s popularity exploded online in 1997, we sat down with Souls of Mischief’s Tajai & discussed the crew’s newfound independence.
It used to be Hieros this, Hieros that. But Souls of Mischief and the rest of the Hieroglyphics clique fell back to earth as quickly as their star had risen. Now the Bay Area bandwagon is back in effect. To infinity and beyond…
“The net is going to be bigger than television,” says Tajai. “It’s going to be something where everybody is connected.”
While major labels do their own online experimentation, some acts such as Hieroglyphics use the Web as their sole means of marketing and distribution.
Del reviews 3 of his favorite video games for Sega Saturn & Sony PlayStation in this original web feature that first appeared in 1997.
Sites like Hieroglyphics.com connected like-minded fans and forged relationships. Author John Morrison explores early online hip-hop.
‘Second Wind’, Rap Pages
Oakland’s Hieroglyphics Crew regroup to relaunch as they go independent from their respective major label recording contracts.